May 22, 2012
How to bring people back to screening rooms.
CRITIC’S WEEK HEADQUARTER : the Nespresso beach

How to bring people back to screening rooms.
CRITIC’S WEEK HEADQUARTER : the Nespresso beach

May 22, 2012
Let’s go to Cannywood
PEDDLERS, by Vasan Bala (Critic’s week)

Let’s go to Cannywood
PEDDLERS, by Vasan Bala (Critic’s week)

May 22, 2012
VASAN BALA, director of PEDLERS (Critic’s week)
“I always wanted to be a gangster, but I started in life with a banking job. Now I make gangsters films.”

VASAN BALA, director of PEDLERS (Critic’s week)
“I always wanted to be a gangster, but I started in life with a banking job. Now I make gangsters films.”

May 20, 2012
ANTIVIRAL’s actor Caleb Landry Jones:
“Why did I want to act? A need for attention and respect I guess. It’s something I used to miss. I also like to play with fire.”

ANTIVIRAL’s actor Caleb Landry Jones:

Why did I want to act? A need for attention and respect I guess. It’s something I used to miss. I also like to play with fire.”

May 17, 2012
la-semaine-eclaire:

Tiens, Damon Albarn au Miramar.

BROKEN, BY RUFUS NORRIS (III)Damon Albarn, composer of Broken’s soundtrack at the opening of the Critic’s week

la-semaine-eclaire:

Tiens, Damon Albarn au Miramar.

BROKEN, BY RUFUS NORRIS (III)
Damon Albarn, composer of Broken’s soundtrack at the opening of the Critic’s week